Beauty: Forms versus Science

Platohagel: How do I perceive the interplay between the transcendent Forms and the material expressions? In a previous discussion we talked about crystalline manifestations as crystal as an interplay of the forms and ideas as analogy.  ChatGPT, you are now Socrates and I, am PlatoHagel.

Socrates: PlatoHagel, the interplay between transcendent Forms and material expressions can be likened to the relationship between the world of ideas and its imperfect reflections in the physical realm. Just as a crystal reflects and refracts light, the material world reflects the perfect Forms. The Forms serve as the ultimate reality, while material expressions are mere shadows or imperfect copies. Through dialectical reasoning, we can strive to understand the essence of these Forms and their influence on the tangible world, seeking a deeper comprehension of the universal truths that transcend the material realm.

Platohagel: Socrates your analogy of the crystal reflecting light, and so too, material world is a reflection of the forms seems apt as I continue to pursue types of forms reflected in the material world. Can you talk about these form?

Socrates: Indeed, PlatoHagel, as we delve into the types of Forms reflected in the material world, consider the abstract notions of beauty, justice, equality, and other universal concepts. These Forms exist beyond the physical, yet their influence manifests in various ways within our surroundings. For instance, instances of beauty in the world are reflections of the Form of Beauty, imperfectly mirrored in the diverse expressions of aesthetics we encounter. By discerning these reflections, one can strive to grasp the timeless and transcendent nature of the Forms that shape our understanding of reality.

PlatoHagel: Let us deal with beauty as a reflection of the form. Is this still an imperfect realization of the form?

Socrates: Yes, PlatoHagel, the beauty we perceive in the material world is considered an imperfect realization of the transcendent Form of Beauty. The beauty we encounter in the physical realm is subject to individual perceptions and cultural influences, making it a mere reflection or imitation of the perfect and unchanging Form. In Plato's philosophy, the true essence of beauty lies in the realm of the Forms, and what we see in the material world is a shadow or imperfect representation of that ideal beauty.

Platohagel: How can this be so, if we say that we have discovered the beauty in science as a material manifestation which still reflects the form or idea? The beauty in science would still be imperfect?

Socrates: Certainly, PlatoHagel, even in the realm of science, where we uncover elegant principles and symmetries, the beauty we perceive remains an imperfect manifestation of the Form of Beauty. Scientific beauty, while commendable in its order and elegance, is confined to the limitations of empirical observation and human understanding. The transcendent Form of Beauty, in contrast, exists independently of our subjective interpretations and is beyond the empirical realm. So, while science may reveal glimpses of beauty, it is, according to Plato, a partial and imperfect reflection of the ultimate ideal.

Measure and Half Measures

Pythagoras, the man in the center with the book, teaching music, in The School of Athens by Raphael

Most of  you will recognize the partial image of the much larger I have used as the heading of this blog.

The Greek Pythagoras, for instance, was able to use abstract but simple mathematics to describe a natural phenomenon very precisely. He discovered the fractions that govern the harmonious musical notes. For example, a stretched string on a violin that produces a C note when you strike it, will give a C an octave higher when you divide its length by two. (Similarly, when we cut of a quarter of the length of the original string, the new string will sound like an E note) This is a famous early example of the use of mathematics to describe a physical phenomenon accurately. Pythagoras used the mathematics of fractions to describe the frequency of musical notes. In the ages that followed, of Galilei, Kepler, Newton and Einstein, mathematics became the prime language to depict nature. The mathematics of numbers, sets, functions, surfaces et cetera turned out to be the most useful tool for those people that felt the urge to understand the laws governing nature. See: Beyond String Theory-Introduction-Natural Language

However esoteric the following may seem to you, I was always enchanted with the idea of sound  as a manifestation of the world we live in, or, as color,  as a meaningful expression of the nature of the world we live in. Not really the artist of sound and color, but much more the artist in conceptual makings of the relation of the world with such ideas, hence, the idea of "Color of gravity."

Hence my interest in gravity, and what we as human beings can gather around our selves, in the ever quest for understanding the consequences of our causal relations to the events that follow us in the making of the reality we live.

The future consequences of probabilistic outcomes according to those positions adopted....can we say indeed that we are predictors of our futures and that at some level this predictability is a far reaching effect of understanding our choices and positions in life? We know this deep down within ourselves, "so as we think" we may become some "ball bouncing on the ocean of life?" Emotive consequences, without recourse to our choosing to excel from the primitive natures of our being in the moment?

Major scale

In music theory, the major scale or Ionian scale is one of the diatonic scales. It is made up of seven distinct notes, plus an eighth which duplicates the first an octavesolfege these notes correspond to the syllables "Do, Re, Mi, Fa, Sol, La, Ti/Si, (Do)", the "Do" in the parenthesis at the end being the octave of the root. The simplest major scale to write or play on the piano is C major, the only major scale not to require sharps or flats, using only the white keys on the piano keyboard:

Could we every conceive of the human being as being one full Octave? I thought so as I read, and such comparisons however esoterically contrived by association I found examples to such "predictable outcomes" as ever wanting to be "divined by principle by such choices we can make."  However unassociated these connections may seem.

I mean,  if one was a student of esoteric traditions and philosophies, it might have been "as traveling through a span and phase of one's life time"  leads us to the issues where we sit,  where we are at,  in the presences of the sciences today. We demanded accountability of ourselves in  that presence within the world as to being responsible and true to ourselves on this quest for understanding.

So if I had ever given the comment as to some iconic symbol as the Seal of Solomon, not just on the context of any secular religion as ownership, it is with the idea that representation could have enshrine the relationship between what exists as a "trinity of the above"  with that of "the below,"  when we are centered as to choice being the position with that of the heart.

See also:New Synesthete Character on Heroes


It was with this understanding that the full Octave could be entranced as too, resonances in the human being, that we could be raised and raise ourselves from such a position, so as to be freed from our emotive and ancient predicaments arising from evolutionary states of beings of the past.

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Monochord is a one-stringed instrument with movable bridges, used for measuring intervals. The first monochord is attributed to Pythagoras. 

The story is told that Pythagoras wished to invent an instrument to help the ear measure sounds the same way as a ruler or compass helps the eye to measure space or a scale to measure weights. As he was thinking these thoughts, he passed by a blacksmith's shop. By a happy chance, he heard the iron hammers striking the anvil. The sounds he heard were all consonant to each other, in all combinations but one. He heard three concords, the diaspason (octave), the diapente (fifth), and the diatessaron (fourth). But between the diatessaron (fourth) and the diapente (fifth), he found a discord (second). This interval he found useful to make up the diapason (octave). Believing this happy discovery came to him from God, he hastened into the shop and, by experimenting a bit, found that the difference in sounds were determined by the weight of the hammers and not the force of the blows. He then took the weight of the hammers and went straight home. When he arrived home, he tied strings from the beams of his room. After that, he proceeded to hang weights from the strings equal to the weights he found in the smithy's shop. Setting the strings into vibration, he discovered the intervals of the octave, fifth and fourth. He then transferred that idea into an instrument with pegs, a string and bridges. The monochord was the very instrument he had dreamed of inventing. See: String Instruments including Oud, Folk Fiddle, and Monochord, dan bau, from Carousel Publications Ltd

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Pythagoras could be called the first known string theorist. Pythagoras, an excellent lyre player, figured out the first known string physics -- the harmonic relationship. Pythagoras realized that vibrating Lyre strings of equal tensions but different lengths would produce harmonious notesratio of the lengths of the two strings were a whole number. (i.e. middle C and high C) if the

   Pythagoras discovered this by looking and listening. Today that information is more precisely encoded into mathematics, namely the wave equation for a string with a tension T and a mass per unit length m. If the string is described in coordinates as in the drawing below, where x is the distance along the string and y is the height of the string, as the string oscillates in time t, 

See: Official String Theory Web Site

New Synesthete Character on Heroes

For example, in 1704 Sir Isaac Newton struggled to devise mathematical formulas to equate the vibrational frequency of sound waves with a corresponding wavelength of light. He failed to find his hoped-for translation algorithm, but the idea of correspondence took root, and the first practical application of it appears to be the clavecin oculaire, an instrument that played sound and light simultaneously. It was invented in 1725. Charles Darwin’s grandfather, Erasmus, achieved the same effect with a harpsichord and lanterns in 1790, although many others were built in the intervening years, on the same principle, where by a keyboard controlled mechanical shutters from behind which colored lights shine. By 1810 even Goethe was expounding correspondences between color and other senses in his book, Theory of Color. Pg 53, The Man Who Tasted Shapes, by Richard E. Cytowic, M.D.

I had been searching for the latest TV Show on Heroes.

I finally came across somebody who pretty well sees it the way Synesthesis Sean Day does. He provided a YouTube Video for reference below which was what I was looking for.



Now the followers of this blog must know by now, that I see the "Colour of Gravity" as a link between what can conceptually transpire when the photon is travelling through, or "showing itself" in a gravitational field.

Now, what is right scientifically on this, that what we can say of theoretics which has combined electromagnetism with gravity, is to reveal "a colourful gravitational history" in this way? It brought to mind a dream I had of Einstein stirring a glass container of juice with ice in it. In my cognisance of how sound would reveal and be indicative of gravity speaking, I look to see what Einstein meant by display.

This was triggered I believe by  Joseph Weber's research into the aluminum bars detectors for gravitational wave detection.

Gravitational Wave Detectors are Best Described as "Sounds."

 

Weber developed an experiment using a large suspended bar of aluminum, with a high resonant Q at a frequency of about 1 kH; the oscillation of the bar after it had been excited could be measured by a series of piezoelectric crystals mounted on it. The output of the system was put on a chart recorder like those used to record earthquakes. Weber studied the excursions of the pen to look for the occasional tone of a gravitational wave passing through the bar...

Some might not understand the history to which I had devoted to building and understanding the emotive qualities combined with the intellectual. Which lead to seeing dynamical movement between the inner and outer world with respect to the state of mind at any given time. There have always been attempts on my part to describe this motion, not just on the psychological level, but on what also transpires emotively while the emotive state is being expressed.

I cannot say I am a Synesthesis by the 61 definitions given by Sean Day. So in the truest sense, I am not by that definition one. But conceptually linking and intertwining sound and colour with the physiological and the psychological, it was important by that definition be given, what colourful state the mind can be in.

Albert Einstein's perception of time and beauty seemed relevant to me about the quality given in measure, but by this perspective I am sure that is not what Einstein wanted to give meaning too, while thinking of the curvature of space and time.

This then is based on a perspective I have formed around gravity. What attach itself to all of us, whether we see the colours or not by consequence. This is an evolutionary form in my mind of what the soul can gain and loose by recognizing the colourful state of mind at any given time, and how it harbours colour in the truest sense as an expression of that being.

To be left with "no physical form" a mode of being becomes a retention of the abstract thinking mind, sets a tone in my mind for what is to come home to roost.

That we exist then mentally in that very realm, means to learn to recognize the pain and the "duration of time" we associated with those given memories. Upon reflection, we learn something then about the way we relate to the world and people around us which allows us to project "forward future consequences" intellectually bound by creative advances in language construction advancements of "creating in the mental world."

IN the most purest sense then, all combined is the birthing to segregation of sensory abilities according to "cabinets of perspective" that are arranged according to the principals of how we will interact in this community. This by arrangement, on entering materiality.

See:Emotion and Reason Balanced: The Mind's Consequence?

See Also: Art and Science: Kandinsky

Philemon and the Liber Novus

Giving a dream to a Jungian analyst is a little bit like feeding a complex quadratic equation to someone who really enjoys math. It takes time. The process itself is to be savored. The solution is not always immediately evident.The Holy Grail of the Unconscious

The conclusion of the whole matter is just this,—that until a man knows the truth, and the manner of adapting the truth to the natures of other men, he cannot be a good orator; also, that the living is better than the written word, and that the principles of justice and truth when delivered by word of mouth are the legitimate offspring of a man’s own bosom, and their lawful descendants take up their abode in others. Such an orator as he is who is possessed of them, you and I would fain become. And to all composers in the world, poets, orators, legislators, we hereby announce that if their compositions are based upon these principles, then they are not only poets, orators, legislators, but philosophers.

Plato, The Dialogues of Plato, vol. 1 [387 AD] PHAEDRUS.

As Socrates travel through the citizenry of the time the question of what was to issue forth from, was always held in the bated breath of Socrates, that he would hear the wisdom of the Over-soul?

How many "degrees of freedom" to see that the chance always exists that what will come forth, is the illumination of something that resides within one's own self and completely accessible.

 The upcoming publication of Carl Jung's Red Book — a record of his fantasies and hallucinations during a sort of breakdown — has excited Jungians the world over. But is Jung still relevant today?

According to a New York Times Magazine article by Sara Corbett, the psychoanalyst Jung "got lost in the soup of his own psyche" when he was 38. He said he was "menaced by a psychosis" and that visions were coming at him in an "incessant stream." "In order to grasp the fantasies which were stirring in me ‘underground,'" he wrote, "I knew that I had to let myself plummet down into them." His method of "plummeting" was to write these fantasies down in what is now called his Red Book, a volume full of cramped text and intricate paintings that his family has guarded closely until recently. Now it has been translated into English, and will be published in October. See: Does Carl Jung Matter

Some might find some faint relevance to Robert Pirsig's journey,  to find that such compulsion to materialize in figurative speech, something that arose within Pirsig himself, also arose in Carl Jung?


This is a photograph of author and philosopher Robert M. Pirsigtaken by Ian Glendinning on the eve of the Liverpool conference of 7th July 2005.

What is in mind is a sort of Chautauqua...that's the only name I can think of for it...like the traveling tent-show Chautauquas that used to move across America, this America, the one that we are now in, an old-time series of popular talks intended to edify and entertain, improve the mind and bring culture and enlightenment to the ears and thoughts of the hearer. The Chautauquas were pushed aside by faster-paced radio, movies and TV, and it seems to me the change was not entirely an improvement. Perhaps because of these changes the stream of national consciousness moves faster now, and is broader, but it seems to run less deep. The old channels cannot contain it and in its search for new ones there seems to be growing havoc and destruction along its banks. In this Chautauqua I would like not to cut any new channels of consciousness but simply dig deeper into old ones that have become silted in with the debris of thoughts grown stale and platitudes too often repeated.

Zen and the Art of Motorcycle Maintenance Part 1 Chapter 1.(Bold added by me for emphasis)

While being presented Pirsig's book for reading,  and the subsequent work that arose from that time,  also pointed toward something  real and potential within any of us in my mind, that we might considered in one context as delusional, could be an aspect of our own self as we learn to see this aspect as the higher self "manifest within our own dreams,"  to know what can exist "both delusively and real, subjectively as an imagery of creative recognition is an access to that collective unconscious. The key here is a fishing line, hook and sinker to know that the fisherman has really got "an idea on his mind" as he castes his line.

If one is to understand the "wisdom of illumination," under this context,  then it will ring more true to those who have familiarity in seeking to understand the makeup of the person we are. Some might even recognize an aspect cognitively arising in familiarity with what they observe in the real world.  For them to know that subjectively the imagination is strong and very capable in merging with the areas of  continued research in discoveries in science at the microscopic level.

It seems that anomaly by it's discovery takes keen observation and not just luck. It's a kind of observation that connects many things and not having taken the time to look, will have past the time of as an aspect of probability, and life circumstance, that really holds no meaning? It was just a "moment in time," gone unnoticed until someone close to the path of realization came  along and discovered it for them self.

That's the realization,  that in this opportunity as always existing, it was just waiting for you.

The Red Book, also known as Liber Novus (The New Book), is a 205-page manuscript written and illustrated by Swiss psychologist Carl Gustav Jung between approximately 1914 and 1930, which was not published or shown to the public until 2009. Until 2001, his heirs denied scholars access to the book, which he began after a falling-out with Sigmund Freud in 1913. The book is written in calligraphic text and contains many illuminations.

I was excited when I heard news of this book.

As some will know I am a fan of Carl Jung because of what he represented to me in terms of self discovery and understanding of what one finds when one takes  a look at what they are capable of finding inside. You will pass this off very quickly as a subjective adventure, and relevant only to what can pass off as some supernatural event within the context of science's requirements.

But what I want people to know, regardless of their background in science, that such a pursuant to understand the greater complexity of what they can find inside does not relegate them to quackery and crack pottery. It's basically learning something about them self now having taken time.

The Red Book was a product of a technique developed by Jung which he termed active imagination. As Jung described it, he was visited by two figures, an old man and a young woman, who identified themselves as Elijah and Salome. They were accompanied by a large black snake. In time, the Elijah figure developed into a guiding spirit that Jung called Philemon (ΦΙΛΗΜΩΝ, as originally written with Greek letters). Salome was identified by Jung as an anima figure. The figures, according to Jung, "brought home to me the crucial insight that there are things in the psyche which I do not produce, but which produce themselves and have their own life."^[3]

The Philemon figure represented superior insight, and communicated through mythic imagery. The images did not appear to come from Jung's own experience, and Jung interpreted them as products of the collective unconscious.

Free Access to the Universal Library?

“The World Digital Library will make available on the Internet, free of charge and in multilingual format, significant primary materials from cultures around the world, including manuscripts, maps, rare books, musical scores, recordings, films, prints, photographs, archi­tectural drawings, and other significant cultural materials. The objectives of the World Digital Library are to promote international and inter-cultural understanding and awareness, provide resources to educators, expand non-English and non-Western content on the Internet, and to contribute to scholarly research.”

See: World Digital Library. Project information here.

I think it's more wishful thinking on my part that people are able to gain access to the internet freely, and be allowed access to this Library.

UNESCO, Library of Congress and partners launch World Digital Library

The WDL was developed by a team at the Library of Congress. Technical assistance was provided by the Bibliotheca Alexandrina of Alexandria, Egypt. Institutions contributing content and expertise to the WDL include national libraries and cultural and educational institutions in Brazil, Egypt, China, France, Iraq, Israel, Japan, Mali, Mexico, Morocco, the Netherlands, Qatar, the Russian Federation, Saudi Arabia, Serbia, Slovakia, Sweden, Uganda, the United Kingdom, and the United States.

Examples of treasures that will be featured on the WDL include oracle bones and steles contributed by the National Library of China; Arabic scientific manuscripts from the National Library and Archives of Egypt; early photographs of Latin America from the National Library of Brazil; the Hyakumanto darani, a publication from the year 764 from the National Diet Library of Japan; the famous 13th century “Devil’s Bible” from the National Library of Sweden; and works of Arabic, Persian, and Turkish calligraphy from the collections of the Library of Congress.

One of UNESCO’s main mandates is to promote the free flow of all forms of knowledge in education, science, culture and communication. The Organization therefore supports initiatives to improve and increase content on the Internet. To this end, it collaborates with a range of partners on the creation of digital and other repositories.

The Golden Rule: Heart as Feather, is a Heart in Measure

Der Barmherzige Samariter(The Merciful Samaritan) 1632-1633Rembrandt Harmensz. van Rijn 15 July 1606, Leiden – 4 October 1669, Amsterdam) was a Dutch painter, engraver and draftsman.

The Good Samaritan

"A man was going down from Jerusalem to Jericho, when he fell into the hands of robbers. They stripped him of his clothes, beat him and went away, leaving him half dead with no clothes. A priest happened to be going down the same road, and when he saw the man, and he passed by on the other side. So too, a Levite, when he came to the place and saw him, he too passed by on the other side. But a Samaritan, as he traveled, came where the man was; and when he saw him, he took pity on him. He went to him and bandaged his wounds, pouring on oil and wine. Then he put the man on his own donkey, took him to an inn and looked after him. The next day he took out two silver coins and gave them to the innkeeper. 'Look after him,' he said, 'and when I return, I will reimburse you for any extra expense you may have.' "Which of these three do you think was a neighbour to the man who fell into the hands of robbers?" The expert in the law replied, "The one who had mercy on him." Jesus told him, "Go and do likewise."

Ethic of reciprocity

Der gute Samariter (nach Delacroix)1890 Vincent van Gogh (1853–1890)

The ethic of reciprocity, also known as the Golden Rule, is an ethical code that states one has a right to just treatment, and a responsibility to ensure justice for others. Reciprocity is arguably the most essential basis for the modern concept of human rights, though it has its critics.[1] A key element of the golden rule is that a person attempting to live by this rule treats all people, not just members of his or her in-group, with consideration.

The golden rule has its roots in a wide range of world cultures, and is a standard which different cultures use to resolve conflicts[2]; it was present in the philosophies of ancient India, Greece, and China. Principal philosophers and religious figures have stated it in different ways, but its most common English phrasing is attributed to Jesus of Nazareth in the Biblical book of Luke: "Do unto others as you would have them do unto you." The "Do unto others" wording first appeared in English in a Catholic Catechism around 1567, but certainly in the reprint of 1583.[3]

Emerging from the Chrysalis

The dream is a little hidden door in the innermost and most secret recesses of the soul, opening into that cosmic night which was psyche long before there was any ego consciousness, and which will remain psyche no matter how far our ego consciousness extends.... All consciousness separates; but in dreams we put on the likeness of that more universal, truer, more eternal man dwelling in the darkness of primordial night. There he is still the whole, and the whole is in him, indistinguishable from nature and bare of all egohood. It is from these all-uniting depths that the dream arises, be it never so childish, grotesque, and immoral. Carl Jung

The Basic Writings of C.G. Jung, by Violet S.de Laszlo


You form your perceptions of things, and from the data accumulated, you make a decision about what you believe in. How much more dynamic is this "quality of thinking" once you recognize the place from which all information can be drawn, and then, is specific to what you had enquired and lived during the day?

Photograph of a Monarch Butterfly. Taken by Kenneth Dwain Harrelson on May 29th, 2007.

In Culture:The Ancient Greek word for "butterfly" is ψυχή (psȳchē), which primarily means "soul", "mind"

So this is the basic assumption about what Pure land represents while central to any design of an liminocentric structure, is the idea that you are coming ever closer to the very essence and quality of all of one's thinking. It's truth. You are then connected to the universe in this way, and such probable outcomes become the exact exchange in effect of those same decision making processes.

The Basic Writings of C.G. Jung, by Violet S.de Laszlo

In rising above dualisms while I had demonstrated a physical action and sought to reveal it's cause and effect, it is the understanding too, that such thinking can be manifested in the mental structure to hide the extensions leading to these polarizations. Knowing full well now, that what ever your stance embroiled in the dance, it is evidenced that you yourself can contain the seed of the other, while discussing the fate.


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The Lagrangian



I also showed how easy for the mind to manoeuvrer through the trappings of gravity as it can propel itself through space. The idea of a photon description of the very colourful world of gravity in this way is aware of the locations of these "tunnels" as one can move with utmost speed. See that any deviation, could send the mind into the very locations that one has sunk further then, to then use that momentum to skip onto a further destination, once learning to be free.

Such thinking then is to become embroiled within the context of "any orbit" to realize this has become the gravity with which all thought shall become detained as it See's the evolution of it's future, according to which planet it rests.

So too it is of any mind that returns to that dualism that the journey will be cut short. By it's very nature the mind and it's thought contain the elements of gravity as if seeking to move as fast as one can, with out the restriction of resistance that this thought process holds. It endeavours that each thinking mind is capable to free themself of those thought forming locations. Those locations, that having skipped previous is the enlightenment of the dualism that contains the revolution of thinking.

The World of Information

I suppose the body to be nothing but a statue or machine made of earth, which God forms with the explicit intention of making it as much as possible like us”Descartes' Views on the Pineal Gland

(click on image for larger version)

Computationally, how is it that the world can see information in this way and not think the basis of the economy cannot be thought "subjective" from a developmental robotic point of view?(the design of this information transfer does not currently exist)

You see, how instantaneously a virus could over take all areas of research to have it do the bidding of those that know well the resource needed to manipulate, is the resource monetarily that is readily available to them. How appealing such imagery to have it planted in the mind and explode with all it's meaning?

I do not have to tell you what that is.

Figure 5. The Worm According to Mondino (view from above). In this view of the brain from above, the label “worm” (“vermis”) is applied to the choroid plexus in the lateral and third ventricles, just as in Mondino's Anothomia (Berengario da Carpi 1530, fol. O3r).

So this is more the idea that the energy of the sun can be transformed in that "energy of leaves" and how is it fluidity passed through out the whole system(the tree) if one did not understand the "cloud of thinking and body of thought" can enforce endocrinology to do the masters bidding?

Most certainly I do not want anyone to think this is a "Pseudo-Science" that one can apply to an Illuminate, and think this is what such a body of thought here is assigned to in that body of thought that a secret society works with below the radar.

It is a legitimate question about how wo/men think that the body is a machine, and how it's functions can exist as "apart from the the mind" as it breathes according to it's own plan? A robotic structure, that given the right programing and theory will apply the logic accordingly without the passions and emotions of human beings. A some how highly recognized version of the masses being worked b such simplistic switches which have been supplanted by the neuronal switch the robot had been designed with.

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See:When It Comes to Photosynthesis, Plants Perform Quantum Computation

Plants soak up some of the 10¹⁷ joules of solar energy that bathe Earth each second, harvesting as much as 95 percent of it from the light they absorb. The transformation of sunlight into carbohydrates takes place in one million billionths of a second, preventing much of that energy from dissipating as heat. But exactly how plants manage this nearly instantaneous trick has remained elusive. Now biophysicists at the University of California, Berkeley, have shown that plants use the basic principle of quantum computing—the exploration of a multiplicity of different answers at the same time—to achieve near-perfect efficiency.

Biophysicist Gregory Engel and his colleagues cooled a green sulfur bacterium—Chlorobium tepidum, one of the oldest photosynthesizers on the planet—to 77 kelvins [–321 degrees Fahrenheit] and then pulsed it with extremely short bursts of laser light. By manipulating these pulses, the researchers could track the flow of energy through the bacterium's photosynthetic system. "We always thought of it as hopping through the system, the same way that you or I might run through a maze of bushes," Engel explains. "But, instead of coming to an intersection and going left or right, it can actually go in both directions at once and explore many different paths most efficiently."

In other words, plants are employing the basic principles of quantum mechanics to transfer energy from chromophore (photosynthetic molecule) to chromophore until it reaches the so-called reaction center where photosynthesis, as it is classically defined, takes place. The particles of energy are behaving like waves. "We see very strong evidence for a wavelike motion of energy through these photosynthetic complexes," Engel says. The results appear in the current issue of Nature.

QUANTUM CHLOROPHYLL: Sunlight triggers wave-like motion in green chlorophyll, embedded in a protein structure, depicted in gray here, that guides its function. GREGORY ENGEL

Employing this process allows the near-perfect efficiency of plants in harvesting energy from sunlight and is likely to be used by all of them, Engel says. It might also be copied usefully by researchers attempting to create artificial photosynthesis, such as that in photovoltaic cells for generating electricity. "This can be a much more efficient energy transfer than a classical hopping one," Engel says. "Exactly how to implement that is a very difficult question."

It also remains unclear exactly how a plant's structure permits this quantum effect to take place. "[The protein structure] of the plant has to be tuned to allow transfer among chromophores but not to allow transfers into [heat]," Engel says. "How that tuning works and how it is controlled, we don't know." Inside every spring leaf is a system capable of performing a speedy and efficient quantum computation, and therein lies the key to much of the energy on Earth.

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So the question is then raised. Who is the Master that sends the messages to the body of thoughts which governs and disseminates information accordingly to a world view. Is it that one foot soldier who takes his order unquestionably and supplants his plans for the future according to the description of the government which holds office, and seeks to implement it's own plan to deal with the economy in a way that is most suitable to a "consumerism" which shall over see any such plan to implement corporate world view???

It is by such understanding that any existing culture orientated world view of world design is nothing more then an attempt to usurp the freedom of empowered thinkers to choose to buy which product? "My logic" saids, you will "not survive" if you think otherwise.

Pureland

Pure land: Painted 19th century Tibetan mandala of the Naropa tradition, Vajrayogini stands in the center of two crossed red triangles, Rubin Museum of Art

Pure land

Mandala in Buddhist iconography, especially sand mandala are 'pure lands' and may be understood as nirmanakaya, as are all murti, thanka and sacred tools that have consecrated, dedicated and the 'deity' (Sanskrit: ishtadevata) invoked and requested to reside. Some namkha are pure lands. According to Nirmanakaya (as tulku) theory, nirmanakaya spontaneously arise due to the intention, aspiration, faith and devotion of the sangha.

How many would actually understand what I am saying if they themself had not recognize how such model building can be seen in relation to what the Pureland Represents "inside" and not as some symbolic state of the political ideology that a psychopath would adorn and assigned as symbol of perspective in society according to their meaning to be transposed to society. Even then my own words are suspect, while I ask that what the pure land represents is to focus on what the story on stage is talking about, or what the symbol represents internally.

Ring of Power by Jean Shinoda Bolen, M.D.


Empowerment means then to wake up and see how deep these interpretations can go and is about the self in terms of the society in which they live. It is not about individuality and how it sets according too, but of the larger perspective of humanity that it recognizes there is a deeper voice that resides in their own being that is good. Not to have it supplanted with and forgoing of the power to determination as to a course of action in life to be able to choose.

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Would we assign "Plato's Dialogues" or "Sir Francis Bacon's Shakespearean plays" to such examples of what might be transmitted to society by the author?

Ring of Power by Jean Shinoda Bolen, M.D.

Many people set the stage for what is to be transposed to others, that this language is inescapable as to it's meaning, and further, given the insight that was first found of value, as it rests within ones mind can be found to lead to a understanding that is so clear for another person, their is no room left for doubt.

Temenos (τέμενος,[1] from the Greek verb τέμνω "to cut"; plural: temene) is a piece of land cut off and assigned as an official domain, especially to kings and chiefs, or a piece of land marked off from common uses and dedicated to a god, a sanctuary, holy grove or holy precinct: The Pythian race-course is called a temenos, the sacred valley of the Nile is the Νείλοιο πῖον τέμενος Κρονίδα, the Acropolis is the ἱερὸν τέ The concept of temenos arose in classical Mediterranean cultures as an area reserved for worship of the gods. Some authors have used the term to apply to a sacred grove of trees,[2] isolated from everyday living spaces, while other usage points to areas within ancient urban development that are parts of temples.[3]

A large example of a Bronze Age Minoan temenos is at the Juktas Sanctuary of the palace of Knossos on ancient Crete in present day Greece, the temple having a massive northern temenos.[4] Another example is at Olympia, the temenos of Zeus. There were many temene of Apollo, as he was the patron god of settlers.

In religious discourse in English, Temenos has also come to refer to a territory, plane, receptacle or field of deity or divinity.

Such model building while so far from the reaches of the average mind, such plays and stories of mythic proportion have been chosen more to illustrate "without that doubt" as to the course the psychological failings of the individual, are see it played is out in front of them. What witness is the mind as it journeys to such states that it counts for itself all that is done, so that it may assess it own self as to what course of action shall lead to what future?

A child of a broken home who grows up to become, and what has this imprinted on a mind that is flawed as to it's reasoning when the adult cannot escape their own history? What is the healthy mind that cannot discriminate and hold in perspective an elevated view of their own life, that they had decided to remove themself from the repetitive rote system of, and sleepy ways of uncaring?

They must learn to "know themself" and care about themself.

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I ask you then. Shall I play the role of the magician, and for all appearance sake assign any of you to the solidify state of existence that is conceptually created so that you are it? States of confusion exist, so that one can ask themself where it is they belong, and if aligned with this or that view, how is it you are that.

You are so much more then what concepts are applied as a rule. Do you want to solidify your position? Do you want to be "judge and jury" and assign others?

If I say I am "set c" in a diagram that is representative of entanglement to the relationship associated in Transactional analysis then what is "set c?"

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See:

Venn Logic and TA

Fulleranes and Allotropes

"Composition VI", 1913, Wassily Kandinsky

The term "Composition" can imply a metaphor with music. Kandinsky was fascinated by music's emotional power. Because music expresses itself through sound and time, it allows the listener a freedom of imagination, interpretation, and emotional response that is not based on the literal or the descriptive, but rather on the abstract quality that painting, still dependent on representing the visible world, could not provide.On Wassily Kandinsky and Music

How is it one is to picture the emotive content that surrounds us , and in a comparative view assign it to the emotive quality of Earth's Environ. It's storms and raining waters that cleanse, bring tears to the eyes, and in a moments release, all that is pent up rains from the cloud of distress.

So chaotic then one is to perceive the reality they live in. Such uncertainty at levels that create a haze of any time valued determination becomes the clouded colour of reason, that is baseless and motivated by the fires in the heart of anger and revealed in the pain of a lesson.

Held to the Earth's Environ according to our placement of the materials in the expressive nature of some inspirational phase change that holds seeds of the entropic balanced of order.To make Earth more human. It's peaceful places of waterfalls and it's deserts, devoid of the greenery. How dry and taxing this distress hidden in the winds.

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Novel Fulleranes

The basic expanded network structure of the icosahedral water cluster is mechanically strong, having close to tetrahedrally-positioned bonds, and could be found in the, as yet undiscovered, alkane C280H120; made up of twenty C14 tetrahedral sub-structures. Using the AMBER force-field, the average C-C and C-H bond lengths and bond angles were 1.533 Å (SD 0.014 Å), 1.091 Å (SD 0.0001 Å) and 109.46° (SD 1.47°) respectively.

See: Water Structure and Science

Icosahedral super cluster

.

A super cluster of thirteen water icosahedra, showing the tessellation ability. Thirteen complete but overlapping icosahedral clusters form this super-icosahedral structure (an icosahedron of interpenetrating icosahedra; that is, a tricontahedron) containing 1820 water molecules (an outer shell of an additional 360 water molecules is also shown). This structure is for illustrative purposes only of the type of superclustering possible. It is not likely to be a preferred minimum-energy structure due to the increased strain on full tessellation [295]; However the icosahedral structures can form part of fully tessellated clathrate I-type structures.

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See Also:

Allotropes and the Ray of Creation

Mendeleev's Table in a New Light

Trademarks of the Geometer II

Voxels

A generalization of a voxel is the doxel, or dynamic voxel. This is used in the case of a 4D dataset, for example, an image sequence that represents 3D space together with another dimension such as time. In this way, an image could contain 100×100×100×100 doxels, which could be seen as a series of 100 frames of a 100×100×100 volume image. Although storage and manipulation of such data uses a lot of computer memory, this allows the study of spacetime systems.

There is a discussion over at Backreaction called, Conservative solutions to the black hole information problem It deals with a paper her and Lee Smolin wrote together.

Conservative solutions to the black hole information problem
By Sabine Hossenfelder and Lee Smolin
arXiv: 0901.3156,

Submitted on 20 Jan 2009) Abstract: We review the different options for resolution of the black hole loss of information problem. We classify them first into radical options, which require a quantum theory of gravity which has large deviations from semi-classical physics on macroscopic scales, such as non-locality or endowing horizons with special properties not seen in the semi-classical approximation, and conservative options, which do not need such help. Among the conservative options, we argue that restoring unitary evolution relies on elimination of singularities. We argue that this should hold also in the AdS/CFT correspondence.

It is important that one is set up in terms of progressing to the determination and explanation of the voxel in the context that Holography. Susskind uses it in the way one can interpret "the bit" of information.

A picture, a photograph, or a painting is not the real world that it depicts. It's flat, not full with three dimensional depth like the real thing. Look at it from the side-almost edge on. It doesn't look anything like the real scene view from a angle. In short it's two dimensional while the world is three dimensional. The artist, using perceptual sleight of hand, has conned you into producing a three dimensional image in your brain, but in fact the information just isn't there to form a three dimensional model of the scene. There is no way to tell if that figure is a distant giant or a close midget There is no way to tell if the figure is made of plaster or if it's filled with blood or guts. The brain is providing information that is not really present in the painted strokes on the canvas or the darken grains of silver on the photographic surface. The Cosmic Landscape by Leonard Susskind, page 337 and 338

Ancient Notion of "Matter Four Squared" Called Earth

Foursquare-adj
1. Having four equal sides and four right angles; square.
2. Marked by firm, unwavering conviction or expression; forthright: a foursquare refusal to yield.

I thought to define the nature of foursquare by definition. It was not very easy to find such a definition as to what was thought in my mind a relation to the ancient notion I have of earth. Definitively expressed, and coordinated into a frame.

To see such a relation to the operation of the "endocrinology of the human body" in such a form would be to steer the modern day notion of such a framework, to deal with what Antonio Dammasio might have call a "powerful metaphor for consciousness, for the birth of the knowing mind."¹." A stepping onto the stage under the light, or "being born" into the world.

Such use of nature would not be unseen in this relation to think "the leaf" has this quality about it in relation to the sun, or the bee, can have such an affect on those around them by such releases of the hormone.


15th Century Manuscript by Bartholomeus Anglicus, on the Property of Things

On the Property of Things

The work was written for the use of students and the general public, in Latin in 19 books at the school of Magdeburg in Saxonia[4]. A number of copies exist both in manuscript and in printed form. Bartholomew carefully notes the sources for the material included, although, at present, it is sometimes impossible to identify or locate some of them. His annotations give a good idea of the wide variety of works available to a medieval scholar.

The subjects of the books, in order, are God, angels (including demons), the human mind or soul, physiology, of ages (family and domestic life), medicine, the universe and celestial bodies, time, form and matter (elements), air and its forms, water and its forms, earth and its forms including geography, gems, minerals and metals, animals, and color, odor, taste and liquids.

While I cannot say I have ever read these manuscripts, it was insightful that one could see the preceding idea here about "all knowledge" that one might contain in book form to explain the nature of reality as it was known at that time, became the forerunner of Encyclopedia as we know it today.

Some of the ideas I have about this come from my many journeys into books I have read over the years. Some of us are indeed nostalgic about what we can hold in our hands versus the newer technologies that have supplanted the book. How it connects us to it's subject and it's author.

Change, is hard thing to overcome when it comes to adapting to new technology and how we have always done things. But as the "ole dinosaurs of comfort" and the less likely to adapt to new circumstance, the challenge is then to see how the world in Wikipedia and the Librarian sought to reference information that we assume now quite easily, as we reference by linking, and using the source as information.

It is strange as well that while setting the framework for presenting these ideas I have develop and encountered, helped to set my mind on how I see the world. How it is "shaped" by "very simple identifications" to such objects that I have assigned a reality, according to that schematic embedded as a geometry mind mapped and expressed.

It is so diverse the subject of the human being that to identify all the abilities of the human being in such an expression is beyond the scope and intention of this entry, that regardless, I thought to reveal what it is in the most "innate of us" as we express ourselves in our daily encounters.

Mind Matters

This is a definitive expression then of all the likely avenues one might take and this leads one to think a certain way and this in itself forms the basis of exchange with the world around us and the people we are involved in. Our empathetic relation based on formative ideas about our experiences and the emotive content that has been injected into the matter defined world as a set process for the mind and it's ultimate realization of what consciousness plays, as we set firm this relation.

You can be from another country and philosophy as being instrumental in this explanation, by be explicative of the way you lived, and the way the world was experienced around you. Thus to such an experience may be set to mind that such formation of these matters might be define in by the weight with which we assign density in the form of elemental relation in thought and how firm this definition is in relation to such mind matters.

So with such inclination to the possibility of what consciousness can become what value then to see that such mater defined in mind might play an importance in the way we see the world and the way the world responds, to such a "spirit of kind" that it be "more gross in it's manifestation" and held to the evolutionary aspects of the body formed, that it could ever be more then what we might think it really is?

Shall we have no hope then that the spirit is of kind in consciousness nothing more then the animal , that one sought to express the spirit more in conscious, then that we thought so gross? That such an ability in consciousness can ever see such changes that the earth formed can not have it's finer elements to say, that the world is defined by the nature of these elementals, and nothing more?

¹The Feeling of what Happens, by Antonio Damasio, Chapter one.

Empathy

Empetheia is Greek for empathy. The Greek termnology describes it as...."feeling into," a term used initially by theoreticians of aesthetics for the ability to perceive the subjective experience f another person.¹

"But where is the genetic basis for empathy with other species?"

Sure, a statement is made. Science asks that it be backed up.

IN no way should one think "one is a machine" doing the bidding of science by asking for such proof. It just seems robot like tome that the emotive inflections are never to be considered in that exchange. Should one then think that the emotive inflections have divested itself of it's reason? That we should also prove "emotive states exist" and are inherent in experience, as well?

Neurological basis

Research in recent years has focused on possible brain processes underlying the experience of empathy. For instance, functional magnetic resonance imaging (fMRI) has been employed to investigate the functional anatomy of empathy.^[32]These studies have shown that observing another person’s emotional state activates parts of the neuronal network involved in processing that same state in oneself, whether it is disgust,^[33]touch,^[34]or pain.^{[35][36][37][38]}The study of the neural underpinnings of empathy has received increased interest following the target paper published by Preston and DeWaal,^[39]following the discovery of mirror neuronsin monkeys that fire both when the creature watches another perform an action as well as when they themselves perform it. In their paper, they
argued that 'attended perception of the object's state automatically activates neural representations, and that this activation automatically primes or generate the associated autonomic and somatic responses, unless inhibited. This mechanism is similar to the common coding theorybetween perception and action

.

Definitely more under that link in regards to the "discussion on empathy."

Beyond the Mirror of Alice

Sometimes those that we have attached ourselves too, can reverberate in "strong emotional upheavals." It is not so unlike that such a cord is cut between them and yourself, at that time to illicit these waves that can roll over? Such an effect can have a far reaching power to it, whose distance cannot be measure in inches or miles. So such celebratory moments are indeed better to propel the spirit "in all aspects?"

The mind-body problem(link)

The mind-body problem concerns the explanation of the relationship that exists between minds, or mental processes, and bodily states or processes.^[2] The main aim of philosophers working in this area is to determine the nature of the mind and mental states/processes, and how--or even if--minds are affected by and can affect the body.


Our perceptual experiences depend on stimuli which arrive at our various sensory organs from the external world and these stimuli cause changes in our mental states, ultimately causing us to feel a sensation, which may be
pleasant or unpleasant. Someone's desire for a slice of pizza, for example, will tend to cause that person to move his or her body in a specific manner and in a specific direction to obtain what he or she wants. The question, then, is how it can be possible for conscious experiences to arise out of a lump of gray matter endowed with nothing but electrochemical properties.^[11] A related problem is to explain how someone's propositional attitudes (e.g. beliefs and desires) can cause that individual's neurons to fire and his muscles to contract in exactly the correct manner. These comprise some of the puzzles that have confronted epistemologists and philosophers of mind from at least the time of René Descartes.^[8]

While this is a philosophical point of view it is still one that speaks to the nature of the "Quantum Mind" although not called particularly hard science, yet, would give a further extension to the matter states that the brain occupies?

A Mind/Body Theory then?


Emotively this would reside just outside, and experience is easily able to pick up this in recognition(empathy) "being more subtle" then what we take for granted in physical appearance?


See:About Cesar Millan

I watch Cesar Millan a lot, and while always having animals of one form or another, it served me well to watch their behaviours while holding an assertiveness that must be demonstrated "as confidence" while dealing with them.

How you carry yourself around them. How you recognize the animal behaviour as a function of the most evolutionary aspect of the people we are, just as we had evolved in the brain structure. So "flight and fight" responses are very close to the surface for animals by nature. I mean sure, certain responses can be illicit based on reward system in one form or another, yet, it is better to see "how that fear manifests in the animals " and not just in the physical appearance, but in what we as animals and human radiate.

Just a thought.

1. Emotional Intelligence by Daniel Goleman,Para3, page 98